A volume devoted explicitly to the subtle and multidimensional phenomenon of background knowing that has to be recognized as an important element of the triad mind-body-world. The essays are inspired by seminal works on the topic by Searle and Dreyfus, but also make significant contribution in bringing the discussion beyond the classical confines.

t. 1. Estetika--obshti vŭprosi. Estetika i teorii︠a︡ na arkhitekturata i gradoustroĭstvoto, izobrazitelnoto izkustvo, muzikata, teatŭra i kinoto. --t. 3. Teorii︠a︡, istorii︠a︡ i kritika na literaturata.

The Eleatic Stranger plays a central role in all reconstructions of Plato’s “Platonism.” This paper is a study of the literary form of the Sophist and Statesman and its significance for interpreting the Eleatic’s account of the nature of philosophy. I argue that the Eleatic dialogues are best understood through a comparison with the source-texts in the Odyssey that Plato used in their composition. I show that the literary form of the Sophist is a straightforward reworking of the encounter of (...) Odysseus and his crewmen with Polyphemus the Cyclops; and that the form of the Statesman is a somewhat more complex reworking of the narrative in which Odysseus and those loyal to him oppose Antinoös, leader of the Ithacan suitors. The comparison reveals that the Eleatic Stranger is no way Plato’s spokesman. On the contrary: by casting the Stranger in the role of Polyphemus and the Cyclopean Antinoös, Plato intends the Sophist and Statesman to be read as an explicit critique of the metaphysical and political doctrines that have since come to be identified as Platonism. In Plato’s characterization, the Eleatic Stranger is neither a philosopher nor a sophist. He is an intellectual—the sort of person who professes to be a philosopher and is often mistaken for one. (shrink)

The leading scholars represented in _Politics, Philosophy, Writing_ examine six key Platonic dialogues and the most important of the epistles, moving from Plato's most public or political writings to his most philosophical. The collection is intended to demonstrate the unity of Plato's concerns, the literary quality of his writing, and the integral relation of form and content in his work. Taken together, these essays show the consistency of Plato's understanding of the political art, the art of writing, and the philosophical (...) life. Studies emphasizing the unity of Plato's lifework have given way in recent scholarship to specialized and overspecialized examinations of individual dialogues. While each of the contributors to _Politics, Philosophy, Writing_ studies one text, his or her work is oriented toward illuminating the whole of Plato's project. Each of the essays is an innovative contribution to scholarship on its topic; as a collection, they constitute a unique reading of Plato's political philosophy. Plato scholars have generally divided themselves into two camps: those who concentrate on the analytic or logical aspects of the dialogues, and those who concentrate on the literary-critical features. In one camp are the philologists and classicists, and in the other, the writers of inventive interpretive commentaries. By avoiding distinctions between Plato the poet and Plato the philosopher, _Politics, Philosophy, Writing_ allows a deeper exploration of the comprehensiveness of Plato's theoretical vision and illuminates the lasting challenge of his understanding of the human condition. (shrink)

This new study challenges traditional ways of reading Plato by showing that his philosophy and political theory cannot be understood apart from a consideration of the literary or aesthetic features of his writing. More specifically, it shows how Plato’s well-known cosmological dialogues—the _Phaedrus, Timaeus, _and _Critias_—are structured using several books of the _Odyssey _as their shared source text. While there has recently been much scholarly discussion of the relation between poetry and philosophy in Plato’s dialogues, little of it addresses questions (...) central to thoroughgoing literary criticism. Planinc’s work is unique in that it shows the significance of Plato’s extensive refiguring of key episodes in the _Odyssey_ for an interpretation of his political philosophy. Plato’s cosmological dialogues are almost always discussed topically. The _Timaeus _is picked through for its theological or scientific doctrines; the _Critias _is reduced to its Atlantis story, or puzzled over because of its ostensible incompleteness; and the _Phaedrus_ is read for its parallels to modern understandings of erotics or rhetoric. The dialogues are not usually considered in relation to one another, and then only in the context of developmental schemes primarily concerned with distinguishing periods in Plato’s metaphysical doctrines. Planinc argues that the main literary features of the _Phaedrus,_ _Timaeus,_ and _Critias _are taken from books 6 to 9 of the _Odyssey,_ the largest part of the story of Odysseus’s stay with the Phaeacians, from the time he swims to shore and encounters Nausicaa to the time he reveals his identity and begins recounting his earlier travels after hearing Demodocus’s songs. By exploring the full range of the many charming and intriguing things the dialogues present in this literary context, he shows that they are a coherent, unified part of Plato’s corpus. _Plato through Homer_ takes a radically new approach to Plato’s texts that illuminates their literary and philosophic significance and highlights their enduring appeal. (shrink)

Explores the intriguing prospect that, in some situations, a person's hand has a mind of its own.

Games may seem like a waste of time, where we struggle under artificial rules for arbitrary goals. The author suggests that the rules and goals of games are not arbitrary at all. They are a way of specifying particular modes of agency. This is what make games a distinctive art form. Game designers designate goals and abilities for the player; they shape the agential skeleton which the player will inhabit during the game. Game designers work in the medium of agency. (...) Game-playing, then, illuminates a distinctive human capacity. We can take on ends temporarily for the sake of the experience of pursuing them. Game play shows that our agency is significantly more modular and more fluid than we might have thought. It also demonstrates our capacity to take on an inverted motivational structure. Sometimes we can take on an end for the sake of the activity of pursuing that end. (shrink)

Collection with articles of different disciplines on Metaphor as a "Figure of Thought". Summary of contents: 1. A HIstory of Philosophy Perspective 2. A SEmantic Perspective 3. A COgnitive Science Perspective 4. A PHilosphy of Science Perspective 5. A THeological, Sociological and Political Perspective.

In Romeo and Juliet, William Shakespeare examines the relationship of the political realm to the things that are outside or beyond politics: family, society, religion, friendship, and love. The play is thus a work of political philosophy, and no less so because it is a work of art in which these things are portrayed concretely through the relationships of the play's characters. The difficulties of interpreting the play are due in part to its aesthetic particularity, but more to the familiarity (...) of its plot, the common understanding of which has been shaped by misleading statements made by the Chorus. The Chorus is persuasive, but wrong: the Capulets and Montagues are not "both alike in dignity" ;1 Romeo... (shrink)

There seems to be a deep tension between two aspects of aesthetic appreciation. On the one hand, we care about getting things right. On the other hand, we demand autonomy. We want appreciators to arrive at their aesthetic judgments through their own cognitive efforts, rather than deferring to experts. These two demands seem to be in tension; after all, if we want to get the right judgments, we should defer to the judgments of experts. The best explanation, I suggest, is (...) that aesthetic appreciation is something like a game. When we play a game, we try to win. But often, winning isn’t the point; playing is. Aesthetic appreciation involves the same flipped motivational structure: we aim at the goal of correctness, but having correct judgments isn’t the point. The point is the engaged process of interpreting, investigating, and exploring the aesthetic object. Deferring to aesthetic testimony, then, makes the same mistake as looking up the answer to a puzzle, rather than solving it for oneself. The shortcut defeats the whole point. This suggests a new account of aesthetic value: the engagement account. The primary value of the activity of aesthetic appreciation lies in the process of trying to generate correct judgments, and not in having correct judgments. -/- *There is an audio version available: look for the Soundcloud link, below.*. (shrink)

Ovim se radom želi prikazati polazna osnova Hobbesovog filozofskog mišljenja. Ona je važna jer je prisutna u svim segmentima njegove filozofije – negdje eksplicitno, a negdje implicitno. Tematizirajući o prvoj filozofiji, Hobbes je pokazao svoja osnovna gledišta kojim želi pokazati znatno razlikovanje od Aristotela i skolastike. Inspiriran dostignućima moderne znanosti svoju filozofiju usmjerava prema mehanicizmu i materijalizmu. Napuštajući tradicionalnu metafiziku, koja je u centar zbivanja stavljala bitak, Hobbes pokazuje privrženost logici i epistemologiji. Taj način filozofiranja omogućuje mu drugačije sagleda realnost (...) od onoga kako je bila poimana kod njegovih prethodnika. Hobbes stvarnost objašnjava kao gibajuću materiju koja se najvjerodostojnije razotkriva proučavajući mehaničke zakone. On nije pokazao samo svoje filozofsko razlikovanje spram prethodnika već i spram suvremenika. Osobitu pažnju plijeni njegova kritika Descartesova dualizma koji razdvaja um i tijelo na dvije metafizičke supstancije.The purpose of this paper is to show the starting point of Hobbes’ philosophy, which is important because it is present in all aspects of his philosophy – sometimes explicitly and sometimes implicitly. In terms of subject of the first philosophy, Hobbes presented his basic views which significantly differ from Aristotle’s and scholasticism. Inspired by the achievements of modern science, he directed his thoughts towards philosophy of mechanicism and materialism. By abandoning traditional metaphysics, which placed the concept of being in the center of attention, he showed great commitment to logic and epistemology. This mode of philosophizing allows him to perceive reality differently than his predecessors. Hobbes explains reality as moving matter which is best disclosed through study of mechanical laws. He not only demonstrated his philosophical distinctions from the predecessors, but also in relation to contemporaries. Particular attention draws his criticism of Descartes’ dualism which separated mind from the body in two metaphysical substances. (shrink)

In memoriam: Mira Balija PlanincEuripides's Hecuba is not one of the best-known tragedies. The story is vividly memorable, however. Troy has fallen. The Greeks have finished their killing and plundering and have begun their homeward journey. As soon as they cross the Hellespont and make camp on what some might call the European side, in Thrace, they bury Achilles. The Trojan queen, Hecuba, is enslaved, as are the only two of her daughters who remain alive, Polyxena and Cassandra, the latter (...) to Agamemnon himself. Her husband Priam was killed at Troy, and so too were all of their many sons—except one: the youngest, Polydorus, who years before had been sent for his protection, along with a substantial amount of Trojan... (shrink)

I propose to study one problem for epistemic dependence on experts: how to locate experts on what I will call cognitive islands. Cognitive islands are those domains for knowledge in which expertise is required to evaluate other experts. They exist under two conditions: first, that there is no test for expertise available to the inexpert; and second, that the domain is not linked to another domain with such a test. Cognitive islands are the places where we have the fewest resources (...) for evaluating experts, which makes our expert dependences particularly risky. -/- Some have argued that cognitive islands lead to the complete unusability of expert testimony: that anybody who needs expert advice on a cognitive island will be entirely unable to find it. I argue against this radical form of pessimism, but propose a more moderate alternative. I demonstrate that we have some resources for finding experts on cognitive islands, but that cognitive islands leave us vulnerable to an epistemic trap which I will call runaway echo chambers. In a runaway echo chamber, our inexpertise may lead us to pick out bad experts, which will simply reinforce our mistaken beliefs and sensibilities. (shrink)

The article provides a tentative reading of Hegel’s police as a concept that constitutes a crucial test for the rationality of Hegel’s state and that actually played a very important role in the formation of his model of rationality. It starts by considering some significant changes in Hegel’s approach to the subject in the Jena period, especially in reference to Fichte and Spinoza; then, it presents Hegel’s conception of the police as the interface of the universal in his mature political (...) philosophy, together with his treatment of the disturbing problem of poverty and the rabble; and to conclude, it adds some general remarks on Hegel’s police, then and now. (shrink)

Rabble, it is commonly argued, indicates one of the very few places in Hegel's system where he produced an inevitable contradiction that he was, however, unable to “sublate.” In this paper, I purport to prove this narrative wrong. Relying on a close reading of Hegel's reasoning in his book and his lectures on the philosophy of right, I first attempt to determine what the problem of rabble consists in: I demonstrate that Hegel was perfectly aware of the mechanism of necessary (...) impoverishment in (unrestricted) civil society, and that in his view the poor were actually justified in developing a rabble mentality. I then show, on the one hand, that civil society was from the very beginning conceived as self-sublating, and on the other, that Hegel was, at least in principle, able to find a solution for the rabble: the state. (shrink)

Nach einleitender Darstellung der Grundstruktur des Nihilismus-Vorwurfs, den Jacobi an die Philosophie als Unternehmen des reflexiven Erkennens machte, wird in dem Aufsatze die große Bedeutung dieser Diskussion für die Bildung der Hegelschen Philosophie, vor allem in Beziehung auf Schelling dargelegt. Sich an Schelling anlehnend versuchte Hegel in den ersten Jenaer Jahren das Nichts, in dem die Reflexionsphilosophie enden sollte, als notwendige Folge einer willkürlichen Absolutisierung der endlichen Reflexion zu lesen und es durch ihre immanente Selbstvernichtung zu überwinden. Doch fand er (...) dieses Modell schon bald unzureichend, weil das absolute Nichts darin objektiv unbestimmt und subjektiv bloß versichernd bleibt. So stellte er die Aufgabe der Philosophie als Gleichnis des spekulativen Karfreitags, wo der Begriff durch das absolute Leiden beide Forderungen entsprechend erfüllen soll. Anschließend werden einige Folgen angeführt, die die Nihilismus-Problematik in Hegels späteren Werken hinterließ, z. B. in dem Begriffe der absoluten Reflexion, und die auch für heutige philosophische Diskussionen von Belang sein können. (shrink)

The paper provides a modest reading of Hegel?s treatment of self-consciousness in his Phenomenology of Spirit and tries to present it as an integral part of the overall project of the experience of consciousness leading from understanding to reason. Its immediate objective is, it is argued, to think the independence and dependence, that is the pure and empirical I within the same unity of self-consciousness. This implies a double movement of finding a proper existence for the pure I and at (...) the same time a breaking down of the empirical I?s attachment to particularity. It is argued that the Hegelian struggle for recognition intends to show how the access to reason demands the subject?s renunciation of its attachment to particularity, that is to sacrifice not only its bare life but every thing indeed, including its particular identity, and yet, to go on living. nema. (shrink)

An adequate theory of rights ought to forbid the harming of animals to promote trivial interests of humans, as is often done in the animal-user industries. But what should the rights view say about situations in which harming some animals is necessary to prevent intolerable injustices to other animals? I develop an account of respectful treatment on which, under certain conditions, it’s justified to intentionally harm some individuals to prevent serious harm to others. This can be compatible with recognizing the (...) inherent value of the ones who are harmed. My theory has important implications for contemporary moral issues in nonhuman animal ethics, such as the development of cultured meat and animal research. (shrink)

Value capture occurs when an agent’s values are rich and subtle; they enter a social environment that presents simplified — typically quantified — versions of those values; and those simplified articulations come to dominate their practical reasoning. Examples include becoming motivated by FitBit’s step counts, Twitter Likes and Re-tweets, citation rates, ranked lists of best schools, and Grade Point Averages. We are vulnerable to value capture because of the competitive advantage that such crisp and clear expressions of value have in (...) our private reasoning and our public justification. There is, however, a price. In value capture, we take a central component of our autonomy — our ongoing deliberation over the exact articulation of our values — and we outsource it. And the metrics to which we outsource usually engineered for the interests of some external force, like a large-scale institution’s interest in cross-contextual comprehensibility and quick aggregability. That outsourcing cuts off one of the key benefits to personal deliberation. In value capture, we no longer adjust our values and their articulations in light of own rich experience of the world. Our values should often be carefully tailored to our particular selves or our small-scale communities, but in value capture, we buy our values off the rack. In some cases – like decreasing CO2 emissions – the costs of non-tailored values are outweighed by the benefit of precise collective coordination. In other cases, like in our aesthetic lives, they are not. This suggests that we should want different values suited to different scales. We should want value federalism. Some values are perhaps best pursued at the largest-scale level, others at smaller scales. The problem occurs when we exhibit an excess preference for the largest-scale values – when we consistently let the universal metrics swamp our quieter interests. (shrink)

We offer an account of the generic use of the term “porn”, as seen in recent usages such as “food porn” and “real estate porn”. We offer a definition adapted from earlier accounts of sexual pornography. On our account, a representation is used as generic porn when it is engaged with primarily for the sake of a gratifying reaction, freed from the usual costs and consequences of engaging with the represented content. We demonstrate the usefulness of the concept of generic (...) porn by using it to isolate a new type of such porn: moral outrage porn. Moral outrage porn is representations of moral outrage, engaged with primarily for the sake of the resulting gratification, freed from the usual costs and consequences of engaging with morally outrageous content. Moral outrage porn is dangerous because it encourages the instrumentalization of one’s empirical and moral beliefs, manipulating their content for the sake of gratification. Finally, we suggest that when using porn is wrong, it is often wrong because it instrumentalizes what ought not to be instrumentalized. (shrink)

Modem theories of metaphor seem to be pretty unanimous in taking the "death" of a metaphor literally. By doing so they too easily wipe out sedimented, past meanings and so ignore semantic memory. A further consequence of this stand is that meanings are reduced to a one-dimensional (either metaphoric or literal), static structure. This article, in a procedure that resembles a sort of "archeology of meaning," is critical of such an attitude, for which conventionalization of metaphors means their burial in (...) the graveyard of language. It attempts to provide a ground for the assumption that labeling of metaphors as "dead" is not lethal, for their meanings can be revitalized and recreated, according to our linguistic competence, diachronic perspective, interests, and needs. It contains implicit support for the thesis that semantic mechanisms are flexible, dynamic, and subject to evolutionary growth. Not even the death of a metaphor can be exempt from this overall scheme. (shrink)

Recent conversation has blurred two very different social epistemic phenomena: echo chambers and epistemic bubbles. Members of epistemic bubbles merely lack exposure to relevant information and arguments. Members of echo chambers, on the other hand, have been brought to systematically distrust all outside sources. In epistemic bubbles, other voices are not heard; in echo chambers, other voices are actively undermined. It is crucial to keep these phenomena distinct. First, echo chambers can explain the post-truth phenomena in a way that epistemic (...) bubbles cannot. Second, each type of structure requires a distinct intervention. Mere exposure to evidence can shatter an epistemic bubble, but may actually reinforce an echo chamber. Finally, echo chambers are much harder to escape. Once in their grip, an agent may act with epistemic virtue, but social context will pervert those actions. Escape from an echo chamber may require a radical rebooting of one's belief system. (shrink)

In The Case for Animal Rights, Tom Regan argues that although all subjects-of-a-life have equal inherent value, there are often differences in the value of lives. According to Regan, lives that have the highest value are lives which have more possible sources of satisfaction. Regan claims that the highest source of satisfaction, which is available to only rational beings, is the satisfaction associated with thinking impartially about moral choices. Since rational beings can bring impartial reasons to bear on decision making, (...) Regan maintains that they have an additional possible source of satisfaction that nonrational beings do not have and, consequently, the lives of rational beings turn out to have greater value.. (shrink)

What is a game? What are we doing when we play a game? What is the value of playing games? Several different philosophical subdisciplines have attempted to answer these questions using very distinctive frameworks. Some have approached games as something like a text, deploying theoretical frameworks from the study of narrative, fiction, and rhetoric to interrogate games for their representational content. Others have approached games as artworks and asked questions about the authorship of games, about the ontology of the work (...) and its performance. Yet others, from the philosophy of sport, have focused on normative issues of fairness, rule application, and competition. The primary purpose of this article is to provide an overview of several different philosophical approaches to games and, hopefully, demonstrate the relevance and value of the different approaches to each other. Early academic attempts to cope with games tried to treat games as a subtype of narrative and to interpret games exactly as one might interpret a static, linear narrative. A faction of game studies, self-described as “ludologists,” argued that games were a substantially novel form and could not be treated with traditional tools for narrative analysis. In traditional narrative, an audience is told and interprets the story, where in a game, the player enacts and creates the story. Since that early debate, theorists have attempted to offer more nuanced accounts of how games might achieve similar ends to more traditional texts. For example, games might be seen as a novel type of fiction, which uses interactive techniques to achieve immersion in a fictional world. Alternately, games might be seen as a new way to represent causal systems, and so a new way to criticize social and political entities. Work from contemporary analytic philosophy of art has, on the other hand, asked questions whether games could be artworks and, if so, what kind. Much of this debate has concerned the precise nature of the artwork, and the relationship between the artist and the audience. Some have claimed that the audience is a cocreator of the artwork, and so games are a uniquely unfinished and cooperative art form. Others have claimed that, instead, the audience does not help create the artwork; rather, interacting with the artwork is how an audience member appreciates the artist's finished production. Other streams of work have focused less on the game as a text or work, and more on game play as a kind of activity. One common view is that game play occurs in a “magic circle.” Inside the magic circle, players take on new roles, follow different rules, and actions have different meanings. Actions inside the magic circle do not have their usual consequences for the rest of life. Enemies of the magic circle view have claimed that the view ignores the deep integration of game life from ordinary life and point to gambling, gold farming, and the status effects of sports. Philosophers of sport, on the other hand, have approached games with an entirely different framework. This has lead into investigations about the normative nature of games—what guides the applications of rules and how those rules might be applied, interpreted, or even changed. Furthermore, they have investigated games as social practices and as forms of life. (shrink)

Анотація. У статті проаналізовані досягнення Соціального Вчительства Католицької Церкви, репрезентовані працями Лева ХІІІ, Пія ХІ, Пія ХІІ, Івана Павла ІІ, що розкривають змістовні характеристики поняття «принцип субсидіарності», його роль і значення в системі християнських цінностей. Принцип субсидіарності робить можливими такі взаємовідносини в соціальному житті, коли спільнота вищого порядку не втручається у внутрішнє життя спільноти нижчого порядку, перебираючи на себе належні тій функції; заради спільного добра, спільного блага вона надає їй у разі потреби підтримку й допомогу, узгоджуючи у такий спосіб її (...) взаємодію з іншими соціальними структурами. Принцип субсидіарності скеровує соціальну практику на утвердження спільного блага в людському співтоваристві. Поширення і застосування принципу субсидіарності протистоїть небезпеці «одержавлення» суспільства та найзагрозливіших проявів колективізму, обмежує абсолютизацію влади, бюрократизацію державних і соціокультурних структур, стає одним із гарантів дотримання прав і свобод громадян своєї країни. (shrink)

L’article traite de certaines conceptions erronées liées à des approches « privilégiées » – et en même temps mystérieuses – des expériences autonomes à la première personne. Il souligne les limites d’une telle immédiateté et doute de l’intimité solipsiste de la subjectivité. En partant de la conviction selon laquelle l’identification du « point de vue » et de la « perspective » reste problématique, l’auteur affirme que nous pouvons avoir des perspectives différentes d’un même personnel point de vue personnel. En (...) tant que personnes incarnées, intégrées et cognitives, nous pratiquons l’échange des attitudes perspectivistes face à notre propre subjectivité plus souvent et plus facilement dans notre quotidien que nous ne soyons prêts à l’admettre en théorie. La méthodologie qui correspond en partie à l’approche objectiviste de la troisième personne n’est pas en mesure de reconsidérer l’irréductibilité du subjectif et de l’empirique. Elle demande cependant un esprit ouvert à l’espace intersubjectif dans lequel l’irréductible peut encore se communiquer, se comparer et se compléter. (shrink)